SIGNUM: Timelines

Boundless joy of playing: the SIGNUM saxophone quartet breaks down genre barriers
It is a long way from Henry Purcell to the music of Miles Davis: here the “Orpheus Britannicus,” there the great American jazz trumpeter, whose music the SIGNUM saxophone quartet uses as the basis for one of its works. The quartet succeeds in the stroke of genius of combining two such different musical styles.
“Are they a reincarnation of the Beatles?” asked the Hamburger Abendblatt newspaper. The SIGNUM saxophone quartet plays with such flair, such a willingness to experiment, and such youthful freshness that this association seems obvious. The four musicians know no genre boundaries and have mastered the art of entertaining their audience to the fullest. They play from memory, standing up, and with stupendous virtuosity. In their original program, they juxtapose original Works form for example Peter Eötvös with brilliant arrangements of music by Henry Purcell and Miles Davis.
In the concerts of the Lied, Chamber Music, and Quartetto series, we aim to create an atmosphere that brings musicians and the audience closer together—through brief introductions and lighting that make our large concert hall feel a bit like a chamber music venue. Come closer!
About this event
Programme
- Abdelazar or The Moor’s Revenge Z 570Suite aus der Musik zum gleichnamigen Schauspiel arrangiert für Saxophonquartett von SIGNUM
- Prized Possessionsfür Saxophonquartett
- Memoryfrom: Nepomuk's DancesArrangement für Saxophonquartett von Darius Mackie
- - Break -
- Lecture différentesfür Saxophonquartett
- TimelinesMusik von Miles Davis neu interpretiert und neu komponiert für Saxophonquartett von SIGNUM
Artists
- Michal Knotsoprano saxophone
- Jacopo Taddeialto saxophone
- Alan Lužartenor saxophone
- Edoardo Zottibaritone saxophone
Visitor information
50667 Köln
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